No, it was not the Met. It was the modest stage of the Horvitz Auditorium in Fort Lauderdale – but it was clear to hear from her intimate concert there last night how soprano Leona Mitchell could have held sway for 18 consecutive seasons from the grand stage of that renowned New York opera house.
Mitchell, the Met’s leading sprinto-soprano beginning with her 1975 debut in Carmen, performed as part of William Riddle and the Venetian Arts Society’s Up Close and Personal series at the Museum of Art | Fort Lauderdale, which featured last night’s salon concert and reception with a master class and conversation with the artist Friday morning (2/21) at 10 a.m.
The dramatic mastery of her still-soaring voice – especially a rapturous vibrato in the higher registers – shone brightest in the selection of arias sung in various languages, but she also enchanted with spirituals and standards like Summertime, the mere introduction of which elicited “aahs” from the highly appreciative audience. Another crowd-pleaser was her interpretation of the habanera from Bizet’s Carmen. Because she played the role of Micaela, this most familiar of arias was never hers to sing at the Met; but she makes up for it beautifully now in her many recitals. Wearing her signature red wrap, the soprano was accompanied exuberantly on piano by Dr. Robert Sharon of Palm Beach Atlantic University.
The evening was graced by the attendance of three of opera’s superstars: stage director Tito Capobianco, prima donna Virginia Zeani and soprano Renata Scotto, who playfully demurred from acknowledging her pre-publicized 80th birthday –admitting nonetheless that her friend former Florida Philharmonic conductor James Judd is flying back to town to throw a birthday bash for her on Saturday.
- Greg Carannante
PHOTO: Leona Mitchell, Virginia Zeani, Renata Scotto Thursday night at the #VenetianArtsSociety concert.