In The City — 11 May 2012
Sculpting Aung San Suu Kyi


A face-to-face meeting with Aung San Suu Kyi inspires Fort Lauderdale sculptor Jim McNalisThe Face of Burma

 

Jim McNalis sits in his condo in Fort Lauderdale and remembers his meeting with Aung San Suu Kyi at her house in Rangoon.

“She’s usually described as a slender, fragile little woman,” McNalis says. “Her whole persona is the opposite of that. If someone were to ask me how big she is, I’d say: She’s the size of anyone she’s in the room with.”

Aung San Suu Kyi, as you probably know, is the woman who for more than two decades has bravely opposed Myanmar’s military dictatorship. For most of that time she has been kept under house arrest. In 1991 she was awarded the Nobel Peace Prize; and, in April, she was elected to her nation’s Parliament.

Jim McNalis is a South Florida sculptor who was once senior art director at Walt Disney World. His fascination with Burma, as he calls it (Myanmar is the name given the country by its current rulers), goes back to 1989, when he visited a Burmese refugee camp in Thailand. Nine years later he entered the country for the first time.

The trip inspired McNalis to do a sculpture titled The Face of Burma. “I get ideas from my travels,” he says, “and that energy feeds my sculptures.” At first he had no particular face in mind, but the more he talked to Burmese living in Asia and in Florida (there is a sizable community in Deerfield Beach), the more the name Aung San Suu Kyi came up.

“Here is this graceful woman facing down one of the most brutal dictatorships in the world,” McNalis says. “So she became my Face of Burma. No question about it. Courage and beauty – and everything in between.”

Working on the piece, McNalis was transformed. “It’s my favorite kind of sculpture,” he says, “not done on commission, but of someone who means a lot to me. Pure joy enters the process. You focus on the person so intensely. When I finish a sculpture like that I’m not the same guy who began it.”

McNalis kept returning to Burma, and twice – in 2000 and 2003 – he was scheduled to meet with Suu Kyi. But both times she was arrested before a meeting could take place.

In 2007, he was denied a visa. No reason was given, though McNalis suspects it was because of some caricatures he had done of the generals.

Unable to see the Burmese in Burma, he worked with those who had fled to Thailand. On his now annual visits, he gave sculpture lessons to refugee artists in camps along the border; he also worked with children in the refugee schools.

A few months back, while in northern Thailand, McNalis received an e-mail from Aung San Suu Kyi’s Appointments Secretary saying that she would be happy to meet with him at 10:30 a.m. on Dec. 28th. The date was Dec. 20th. Eighteen days earlier she had met with Hillary Clinton.

McNalis immediately applied for a visa and, to his surprise, one was granted. (A further sign, perhaps, that things in the country were loosening up.) He flew to Rangoon and checked into a hotel. On the 28th he got a taxi and told the driver to go to “54 University Avenue.” The driver immediately turned around to see who was in his back seat. “It is,” McNalis explains, “the most famous address in the country.”

At the much-photographed gate, he was led right in. Nobody frisked him, or even checked his bag.

Inside he was served tea and cake. “It was like visiting an old friend,” he says of finally meeting the woman he had sculpted, admired, and followed news of for years. “We just got down to it – no cliches, no small talk. It was such a pleasure to talk to someone so well-educated, just bursting with enthusiasm for what she’s doing.

“This is a really strong, determined individual who knows exactly what she believes in. She’s nobody’s pawn. She’s given up everything – her husband, her family. Nobody’s going to push her around.

“And she’s humble. She doesn’t have the arrogance that we see so often in our politicians. It’s nice to know we haven’t bred that kind of dignity out of the human race. After I left I stood outside the gate and thought: The future of Burma is in really good hands.”

And if all goes well in 2012, McNalis will return to Rangoon and present Aung San Suu Kyi with the sculpture he did of her in 1998.

—Thomas Swick


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